Aaron Sprague
Crane, Susan. “Alison of
Did Alison of Bath kill one of her husbands?
That is what this article is trying to prove.
She did fit everything that an antifeminist would view a woman as.
She is a nymphomaniac which is something that no one can refute.
Some sources claim that because she is a poetic character, she could not
have done the deed. Others claim
that if you turned her into a real character she could have.
At the end the article, Crane asserts that you should not look at the
misapprehensions of the prologue and you cannot take the view that “woman was
the los of al mankynde” (15).
I believe this article would help anyone who was writing on Chaucer, the Canterbury Tales, or how women were viewed in that time period. The work employs gender criticism to examine the mostly antifeminist views of the era. It is a good source on how people viewed women at the time and also the misapprehension of the character of Alison in her prologue. I would agree with the author that you cannot take her as a real person. The only thing I did not like about this article was the fact that it was written as if Sherlock Holmes was bringing this case before a judge. It did make for an interesting read, but it did not help further the reading for me. Overall this is a good source.
Ginsberg,
The article states that there is a dialectic that follows a place. This is used so that when something is said it can be examined in context to where it was said. When Piccarda disappears in light, Dante is blinded. When there is singing, Dante has the canto singing. Dante does not experience dialectic in heaven. This is to create awe at how glorious heaven must be since there is no way to really describe it. When Dante’s guide leaves him he literally could not move. This also shows the glory that is heaven. “…Dante’s scrutiny of locality of dialectic exposes its short comings as a way to describe paradise.”(Ginsberg 751).
This is a good source for those who are studying the work
of Dante. I agree with the opinions
of the author of this work since the lack of dialectic speaks a lot about what
Dante thought of heaven. This was
not very hard to read since most of the article was straight forward and well
organized. I did however skip over
the writings on the
Taylor, Karla. “A Text and Its Afterlife: Dante and
Chaucer.” Comparative Literature 35
(1983): 1-20.
This article is about how works are viewed by the reader
after it is published. This is
important since the social effects that could result might reflect badly on the
author though their intent was good. The
literature that was written had to be justified.
There is also the view that everything has a “real” meaning.
An example provided by
This is a good article showing an author’s fear of retaliation after his work is published. It is very informative and gives good evidence on how Dante made sure no one would misinterpret his work. I agree with the author of the work that the writers of the time had to be careful of what they said and how they said it. This deals with reader response criticism. This is because of the writers’ desire that people not misinterpret their works and behave in the wrong way.
Taylor, Paul Beekman. “Peynted Confessiouns: Boccaccio
and Chaucer.” Comparative Literature
34 (1982): 116-129.
The article is about the usage and characteristic evil of
lies.
This article was good in that it uses psychological criticism to analyze the Pardoner. The study exa,ines how he was viewed him and how he used these views to manipulate his audience. The author does very well in making one question their sense of what is right. Such as, whether the Pardoner is telling the truth about anything or if he is making one think he is lying when he tells a truth. I agree with the author that Chaucer’s work is very complex and that the perception of the Pardoner and Ciappelletto must be examined closely. Both were liars but one tried doing a good thing with his lie and the other made you question the truth. This would be helpful for people researching the works of Chaucer or Boccaccio.
Wooten, John. “From Purgatory to the
This article compares the similarities between the works of
Dante, Ariosto, and Milton. One
example is that Satan opened up his gates and Astolfo, in a different work, made
sure to close what would be considered the gates.
Astolfo is also like Dante in that he started to explore He**.
Unlike Dante, he returned to the surface instead of continuing throughout
He**.
I think this could be a good source of information,
although I found it very confusing. It
assumed that you have read all three works and can separate the three in your
mind. There is no real criticism
since it is just comparing how similar the works were.
This could possiblely be used for a study on gender.