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Outline
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Alfonso X el Sabio
  • 1252-1284
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Early Spanish Rulers to Alfonso
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Alfonso X el Sabio (1221-1284)
  • Assumes throne in 1252 on death of his father, Fernando III el Santo
  • Reign plagued by internal struggles with nobles and royal succession (eldest son Fernando de la Cerda vs second eldest Sancho)
  • Ambitions as Holy Roman Emperor through mother’s side
  • Suffers grave illness during his life (cancer)


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Contributions
  • Continuation of School of Translators in Toledo established under King Fernando III el Santo
  • Innovation: Translations of Arabic and Hebrew works into Castilian rather than Latin
  • Growth and prestige of Castilian as a language of culture, learning and politics
  • Continues repopulation and conquest of Al-Andalus



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Works under Alfonso’s Direction:
 An Encyclopedic Enterprise
  • Legislative
  • Scientific (including astronomical and astrological)
  • Recreational
  • Prose works
  • Poetic (religious and secular)
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Legislative
  • Setenario (begun c. 1252 during reign of Fernando III) much of it incorporated into the 1st Partida
  • Siete Partidas (begun 1251; 1256-65) a vast law code that encompasses every aspect of society
  • El espéculo (1255) Five books (6th and 7th referred to, but never compiled). Book I: law, doctrine of Trinity, articles of Catholic faith; Books II -III: political and military organization of the kingdom; Books IV-V: Justice
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Siete Partidas
  • 1st Duties of clergy and matters of dogma. Except title I, on law (what it is, who has power to make laws and why, etc.)
  • 2nd Emperors, kings & other lords: The rights & duties of those who govern
  • 3rd Justice and its administration
  • 4th Matrimony, kinship, legitimate and illegitimate children, slavery and freedom, etc.
  • 5th Commercial law: loans, debts, contracts, and  other forms of commerce and dealings
  • 6th Wills, inheritance, guardianship of orphans and minors
  • 7th Criminal Law: crimes, punishments, etc. Laws governing Jews, Moors and heretics
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Scientific
  • Translations of astronomical texts include:
  • Libro de las cruces (1259, 1270's)
  • Libro de las Tablas Alfonsíes (1256-1277)
  • Scientific works: together around 23 treatises
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Libro de las Tablas Alfonsíes
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Scientific (con’t)
  • Libros del saber de la astrología. (1276-1279) 16 treatises that attempt to systematize the movements of the stars and constellations


  • Astrological:
  • Lapidario (1250/1279) the properties of stones and their relation to the movement of the planets


  • Magic:
  • A version of the Liber Picatrix (1256), an 11th century Andalusian treatise on talismanic magic


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Historical Works
  • General Estoria


  • Oldest  known vernacular universal history. Begins at the creation up to the birth of the Virgin Mary


  • Principle sources: the Bible, Josephus' Antiguedades judaicas and the Historia Scholastica of Peter Comestor


  • Secondary sources: classical writers (Ovid, Pliny, etc.) and Arabic historians
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Historical Works
  • Estoria de España (Primera Crónica General)


  • codices: E1 (1272) (from the first inhabitants to the arrival of the Arabs [under the direction of Alfonso]) and E2 (1289) (continued under Sancho IV, up to the reign of Fernando el Santo [1217-52])


  • Primary sources: Rodrigo Jiménez de Rada (known as El toledano): De Rebus Hispaniae (or Historia Gothica, 1242)


  • Lucas de Tuy (known as El Tudense): Chronicon Mundi (1236)


  • Other sources: Ovid, Lucan’s Pharsalia, classical historians and geographers, epic poems, etc.


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Recreational
  • El libro de Ajedrez, dados, e tablas
  • Codex (T-1-6) Seville, 1283
  • Three treatises on games (chess, dice and astronomical tables) from Arabic texts
  • 150 miniatures


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Prose
  • Calila e Digna (1251/2)


  • Translation when Alfonso still a prince.


  • First major work of Arabic didactic prose in the "tale within a tale" framework widely disseminated in Spain.


  • Derived from Hindu Panchatantra
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Las Cantigas de Santa Maria
Written in Galician Portuguese
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Importance of the Cantigas
  • Resource for depiction of daily life, interaction among groups (Christians, Jews, Muslims; women)
  • Historical resource: some cantigas show King Alfonso or members of his family or historical events
  • Rich source for musicologists, art historians and literary specialists


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Códice Rico
  • Consists of narratives of Marian miracle tales collected from Europe and Spain
  • Musical notations
  • Richly colored illustrations
  • Every tenth cantiga is a lyric praise poem


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Prologue
Alfonso as Holy Mary’s Troubador
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Cantiga de loor
  • Rose of roses and flower of flowers,
    Lady of ladies, Lord of lords.
  • Rose of beauty and fine appearance
    And flower of happiness and pleasure,
    lady of most merciful bearing,
    And Lord for relieving all woes and cares;
       Rose of roses and flower of flowers,
    Lady of ladies, Lord of lords.
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Cantiga 42 (Códice Rico)
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Cantiga 42 Panels 3 & 4
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Cantiga 42 Panels 5 & 6
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MS B.I.2 E  Escorial
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Codice F (Florence)
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Cantigas de Escarnio y de mal dezir
  • Poetic texts of a satirical nature


  • Example: "O qui foi passar a serra"
    In 1264 the Moorish King of Granada raised a rebellion, but in 1265 Alfonso forced him to sign a truce at Vega. This cantiga de escarnio (Satire) is directed against Spanish traitors who joined the Moors.
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O qui foi passar a serra
  • He who passed over the mountains
    And did not want to serve on the plain--
    Is he the one, when war was returned,
          Who's now bragging?
    Since he vacillates so much now,
          Let him be damned!
  • He who doled out his money
    Without attracting any good knights--
    Is it because he wasn't first in the fight
          That he's bragging now?
    Since he came at us with his rear,
          Let him be damned!


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O qui foi passar a serra (cont’d)
  • He who raised a great soldiery
    But never quite a good cavalry,
    Since he didn't go to Granada, is he
          The one who's bragging?
    Whether he's rich or has a strong band,
          Let him be damned!
  • He who loaded up his bags
    With a little gold and a lot of guff,
    And never quite entered the town of Vega,
          Is he bragging now?
    Since he's more like fat than butter,
          Let him be damned!


  • From: J.Wilhelm, ed. Lyrics of the Middle Ages, An Anthology. NY: Garland, 1990, 243-44.)
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Cultural Role of the Iberian Peninsula
  • Map from: http://faculty.washington.edu/petersen/alfonso/alfonsox.htm
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